At the time Bob was also mixing records for DeLite Records, Prelude Records, Patrick Adams, Leroy Burgess and so many others. He explains how Patrick Adams would write on the fly scores of music at the sessions for the string and horn sections. One of the top albums he worked on was the group Musique on Prelude which was a game changer for the disco sound. Bob also talks about how he was instructed by the labels to push the records to sound crazier.